Graduate MFA Production Design and Technology. MISSION: Preparing students to understand and work in the professional theater. Our training provides a strong foundation in design and technology and the skills to compete in the professional market. We feel a graduate school needs to combine good training with professional opportunities. To that end, we make a point of pursuing student job placement. APPLICATION: The Theater Division participates in U/RTA, but candidates are encouraged to apply in the fall and interview on campus.
Graduate programs in the School of Design and Production and the University of North Carolina School of the Arts. School of Design and Production Graduate Programs The graduate program in the School of Design & Production offers concentrations. On the left panel you will find links to information on our graduate programs. Applying as a Graduate Student links to our pages for prospective graduate students. Graduate Degree Requirements provides a brief overview of the requirements for the S.M., M.E. We do not require the GRE but do strongly encourage an on- campus interview for a more in depth look at the program to visit classes and see a production. Information about the graduate school and application forms can be found HERE. Applications are filed on line. Tuition waivers and graduate assistantships are available. We make every effort to meet demonstrated financial need. TRAINING: The program is structured to allow specialization and to encourage dual area interests. Electives relevant to the student’s primary or secondary areas of interest are encouraged in the School of Dance, Film, and Theater as well as the larger College of Fine Arts, which also includes Music and Art. A great deal of emphasis is placed on professional portfolio development. The thesis is the design of a realized production for design majors or project management for technology majors. Presentation of a digital and traditional . Upon completion, graduates will be employable in today's market and should be able to pass the portfolio review portion of the United Scenic Artists Union exam or gain entry into a significant regional or Broadway studio. ON CAMPUS OPPORTUNITY: Virtually all productions are designed and produced by our students. We have a graduate population of approximately 7. Classes tend to be small and intense, so students get a lot of individual attention. With two main stages and four lab spaces, most set and costume designers get at least two main stage and several lab theater design experiences. Lighting, sound designers and technical specialists generally get additional production opportunities. Design students are widely sought after for student films and dance productions. Technology majors build portfolio through progressive artisan and management assignments in their area of expertise. Follow these two links to read about technology opportunities that our students are able to use in their designs. OFF CAMPUS EXPERIENCE: While our program requires a professional internship, we also regularly place students in theater jobs over the summer or during academic breaks. We routinely place students at the Santa Fe Opera, Colorado Shakespeare Festival, Utah Shakespeare Festival, Glimmerglass Opera, Shakespeare Theater in DC, Arena Stage, Baltimore Center Stage, Berkshire Theater, Williamstown Theater Festival, Actor's Theater of Louisville, and the Pittsburgh Public Theater. INTERNSHIPS: Because a requirement for graduation is an internship, we regularly place our students at theaters across the country. Qualified students get the opportunity to do internships in New York and/or Europe. We have placed students in London, Hong Kong, Paris and other international cities. Study abroad opportunities are possible at Central St. Martins in London and The College of Art and Design at Bournemouthe and Poole. Students who aspire to work on Broadway are encouraged to take an internship in New York City assisting in a major Broadway design studio. FACULTY: The faculty maintains active professional careers. We are committed to providing a professional perspective for our students. We invite you to take some time to investigate our Web site and see what great opportunities await. All designers are union members. We all provide students with the opportunity to work as assistants and associates as we do our regional, NY and international shows. See the Theater Division website for faculty bios and website links HERE. NATIONAL AND INTERNATIONAL CONFERENCES: It is our expectation that students will attend at least one national conference such as USITT, LDI, SETC, or ACTF each year to participate in design competitions, portfolio reviews, and job interviews. Many of our students win prizes at these events annually. Outstanding students are invited to participate in the National Design Portfolio Review, Design Showcase East or Hemsley Lighting Review in New York City and/or the USITT Young Designer’s/Technician’s Forum. The 2. 01. 1 Prague Quadrennial featured several OU students’ work and in 2. Tobin Prize winner at the Quadrennial. TECHNOLOGY PROGRAMS: Ohio University is one of the few programs in the country offering specialized training in numerous theater technology disciplines. Our props, costume technology and costume crafts programs rank with the best in the country. Students have the opportunity to work with multiple professionals in the technical studios to refine their crafts and expand their repertoire of skills. The courses of study include in- depth training in such specialties as sword making, corsetry, millinery, theatrical tailoring, puppetry, historical draping, welding, furniture construction, rigging, armor, painting and dyeing, couture sewing, molding and casting, audio engineering, and technical management. The dedicated and enthusiastic teachers in these programs are also working professionals at major national operas, regional theatres and industrial entertainment companies. SAMPLE PROGRAMMFA in PRODUCTION DESIGN 9. CREDIT HOURS MINIMUM * YEAR ONE FALLSPRINGTHAR 5. Intro to Graduate Study. THAR 5. 30. 0 - Practicum in Design and/or. Technical Production. Design Skills or Drafting elective. THAR 5. 39. 5 - Digital Portfolio/Perf. Photography. 3 credits. Design elective. 3 credits Theater Studies elective. Studio elective. 3 credits Design elective. Studio elective. 3 credits Studio elective. THAR 5. 30. 0 - Practicum in Design and/or. Technical Production. Studio elective. 18 credits. YEAR TWO FALLSPRINGTHAR 6. Practicum in Design and/or. Technical Production. THAR 6. 30. 0 - Practicum in Design and/or. Technical Production. Theater Studies elective. Directing course elective. Studio elective. 3 credits Studio elective. Studio elective. 3 credits Studio elective. Studio elective. 3 credits Studio elective. Directed elective. Directed elective. YEAR THREE FALLSPRINGTHAR 6. Thesis: Research. Thesis Design elective. THAR 6. 95. 0 - Theater Written Thesis. THAR 7. 90. 3 - Internship in Designor Production. Thesis Studio elective. THAR 7. 30. 0 - Practicum in Design and/or. Technical Production. Studio elective. 3 credits Directed elective. Directed elective. The degree minimum is 9. SAMPLE PROGRAMMFA in PRODUCTION TECHNOLOGY 9. CREDIT HOURS MINIMUM * YEAR ONE FALLSPRINGTHAR 5. Intro to Graduate Study. THAR 5. 30. 0 - Practicum in Design and/or. Technical Production. Design Skills or Drafting elective. THAR 5. 39. 5 - Digital Portfolio/Perf. Photography. 3 credits. Design elective. 3 credits Theater Studies elective. Studio elective. 3 credits Design elective - or- Studio elective. Directed elective. Studio elective. 3 credits. THAR 5. 30. 0 - Practicum in Design and/or. Technical Production. Studio or directed elective. YEAR TWO FALLSPRINGTHAR 6. Practicum in Design and/or. Technical Production. THAR 6. 30. 0 - Practicum in Design and/or. Technical Production. Theater Studies elective - or- Studio elective. Theater Studies elective - or- Studio elective. Studio elective. 3 credits Studio elective. Studio elective. 3 credits Studio elective. Studio elective. 3 credits Studio or directed elective. Directed elective. THAR 6. 94. 0 - Thesis: Research. YEAR THREE FALLSPRINGTHAR 6. Theater Project/Portfolio Thesis. THAR 6. 96. 0 - Theater Project/Portfolio Thesis. Thesis Tech course. THAR 7. 90. 3 - Internship in Design or Production. Studio elective. 3 credits Directed Elective. Directed Elective. THAR 7. 30. 0 - Practicum in Design and/or. Technical Production. Directed Elective. The degree minimum is 9. SAMPLE PROGRAMMFA in PRODUCTION DESIGN OR TECHNOLOGY 6. CREDIT HOURS MINIMUM COMPRESSED PROGRAM * YEAR ONE FALLSPRINGTHAR 5. Intro to Graduate Study. Theater Studies elective. Intradisciplinary Studies elective. THAR 6. 30. 0 - Practicum in Design and/or. Technical Production. Intradisciplinary Studies elective. Intradisciplinary Studies elective. Studio elective. 3 credits Studio elective. Technical Production. Thesis Portfolio or THAR 6. Thesis: Research. YEAR TWO FALLSPRINGTHAR 6. Practicum in Design and/or. Technical Production. THAR 6. 30. 0 - Practicum in Design and/or. Technical Production. Studio elective. 3 credits Studio elective. Studio elective. 3 credits Studio elective. Directed elective. THAR 6. 96. 0 - Theater Project/ Portfolio Thesis. Thesis Portfolio course. Directed elective. THAR 6. 94. 0 - Thesis: Research. Directed elective. The degree minimum is 6. Production/Directing M. F. A. Alumni include Francis Ford Coppola (The Godfather), Alexander Payne (Nebraska, The Descendants), Alex Gibney (Going Clear, Taxi to the Dark Side), Alison Anders (Mi Vida Loca, Gas, Food, Lodging), Julie Dash (Daughters of the Dust), Charles Burnett (To Sleep With Anger, Killer of Sheep), Justin Lin (Better Luck Tomorrow, Fast and Furious 6, Star Trek Beyond), Caveh Zahedi (The Sheik and I, I Am a Sex Addict) and cinematographer Dagmar Weaver- Madsen (1. Unexpected). It is possible to complete the thesis at the end of the third year, based on the scope of the project. Directing (See sections I to V for all requirements)II. Summary. The Directing Program has a 1. The minimum total units required to graduate is 7. Only 1. 6 units of FTV 5. ABC may be applied towards the total course requirement and only eight of these may be applied towards the minimum graduate course requirement. Only four units of 5. A and four units of 5. B may be taken prior to advancement. FTV5. 96. D though F may be taken after advancement. Required Courses. FIRST YEAR CURRICULUM. A SYMPOSIUM4. 10. B CINEMATOGRAPHY4. C POST PRODUCTION4. D POST PRODUCTION SOUND4. DIRECTING THE ACTOR FOR THE CAMERA4. WRITING FOR THE SHORT FILM4. FILM ANALYSIS. 4. A SYMPOSIUM4. 10. B FILM PRODUCTION WORKSHOP4. E PRODUCTION2. 98. A FINAL CUT PRO. 4. A SYMPOSIUM 4. 10. C POST PRODUCTION 4. D POST PRODUCTION SOUND 4. TELEVISION PRODUCTION WORKSHOP4. C PRODUCTION SOUND. SECOND AND THIRD YEAR. A ADVANCED DIRECTING THE ACTOR (required for students who will make a dramatic fiction thesis)B. FTVDM Elective Requirement. TWO CINEMA AND MEDIA STUDIES SEMINARS, one must be completed no later than the quarter you advance to candidacy (list of courses below), and ONE OTHER COURSE in the department that is outside of the Production program (animation, screenwriting or producers program). Seminar courses that are approved to fulfill the Cinema and Media Studies requirement. Plus choose one course below. FILM AND OTHER ARTS2. VISUAL ANALYSIS2. A EUROPEAN FILM HISTORY2. B SELECTED TOPICS IN AMERICAN FILM HISTORY2. C AMERICAN FILM HISTORY**2. EXPERIMENTAL FILM2. A DOCUMENTARY FILM2. B CLASSICAL FILM THEORY**2. C CONTEMPORARY FILM THEORY2. B FICTIONAL FILM2. D ANIMATED FILM2. SELECTED TOPICS IN TELEVISION HISTORY**2. A AMERICAN TELEVISION HISTORY**2. CULTURE, MEDIA AND SOCIETY2. FILM AND SOCIETY2. TELEVISION AND SOCIETY2. FILM AUTHORS2. 22 FILM GENRES2. VISUAL PERCEPTION2. COMPUTER APPLICATIONS FOR FILM STUDY2. VIDEOGAME THEORY2. ELECTRONIC CULTURE2. FILM CRITICISM2. 71 TELEVISION CRITICISM2. NARRATIVE STUDIES2. AB SPECIAL STUDIES (select classes must see Graduate Counselor). Please note that not all courses are offered every quarter. Students should consult the registrar's schedule for available courses and class times. For courses in the 2. CMS requirement. FIRST YEAR: A FOCUS ON PROCESS. The first year is a highly intensive program operating on a six- day schedule with the regularly scheduled courses enhanced by all- day technical craft training on Saturdays. The first quarter provides basic background in video, cinematography, sound, editing, the directing of actors and the camera, the organizing of production, and short fiction screenwriting. The second and third quarters are devoted to intensive production work focusing on process leading to six minute sync sound film with clearly defined parameters that must be completed during the academic year if a student is to continue in the program. Two evaluation sessions with the first year faculty will be required of all students. The first will occur at the end of Fall Quarter. The second, a First Year Review, will take place at the end of the spring quarter with the purposes of determining fitness to continue in the program, advising on curriculum for second year professional training, and the selection of Second Year Advisors. SECOND YEAR: A FOCUS ON PROFESSIONAL TRAINING. Second year training is intended to develop professional skills. Courses are constructed around two pivots: 1. Mentor relationships established by students with their Second Year Advisors involving multi- quarter course sequences in the specialized areas of: Narrative Film, Documentary, Multicamera Television Production, Experimental Media and Cinematography. Advanced training in various areas of the craft enhanced by critical studies courses. All projects begun during the second year associated with any of these courses must be completed no later than the middle of the eighth quarter of residency. THIRD YEAR: A FOCUS ON PRODUCTION EXPERIENCE. Third year training is committed to the planning and production of a Thesis Film (no more than 3. The Thesis process involves the following elements: 1. Extensive pre- production planning prior to advancing to candidacy. FTV 4. 86 is available for a student to work with a faculty in preparation to advance. Specialized craft courses and critical study courses can continue to be taken based on the needs of the individual student, but should not impede progress on the thesis. FOURTH YEAR: COMPLETION. The fourth year is used for completion of the thesis project. The twelve- quarter limit will be strictly enforced. The Department admits new students only once each year for the Fall Quarter. Applicants Must. Click Here for an Application Worksheet and More Detailed Instructions on How to Apply. Please complete all of the following steps: Step 1: Online. Complete the UCLA Graduate Division Online Application. MUST be paid and completed Online by November 1, 2. Indicate M. F. A., Film and Television, Production/Directing as the program. Upload Unofficial copies of all Transcripts. Submit Three Letters of Recommendation. Enter the Names and Emails of all recommenders into the UCLA Graduate Division Online Application. Note: Letters can be submitted by mail. Step 2: Online & Mail. Complete the Online Graduate FTVDM Departmental Application. Print and Mail the generated PDF. Upload and Mail the Statement of Purpose. Submit a 1- 2 page document. Upload and Mail an Original Treatment. Submit a 1- 2 page document. For more information on writing a treatment, Click Here. Applicants. Mailing Address: Please Send all applicable materials to: Graduate Film Admissions. UCLA Department of Film, Television, and Digital Media. East Melnitz Hall, Box 9. Los Angeles, CA 9. Online Application and Postmark Deadline: November 1, 2. INTERNATIONAL STUDENTSFor more information on requirements and applying to UCLA as an International Student, visit https: //grad. English Proficiency: Any international applicant whose first language is not English must certify proficiency in English when applying to UCLA, and, if admitted, upon arrival. Such applicants must submit scores received on the Test of English as a Foreign Language (TOEFL) or the International English Language Testing System (IELTS) as part of their application. The UCLA Code is 4. Department Code is 2. Only test scores taken by December 2. For more information about this requirement, visit https: //grad. International applicants who have received a Bachelor. For more information about this requirement, visit https: //grad. International students who hold three- year ordinary pass degrees, or who hold professional diplomas in accounting, business, librarianship, social work, physical education, health education and so on, or four- year degrees, diplomas or higher certificates from technical, vocational or post- secondary specialized schools are NOT eligible for graduate admission. For Academic Requirements by Country or Educational System, visit: https: //grad. Proof of Funding for Visa: U. S. This must be proven before a Certificate of Eligibility (I- 2. DS2. 01. 9) for a visa can be issued. For more information about this requirement, visit https: //grad. FAFSAFor U. S. Citizens and Permanent Residents interested in receiving financial aid in the 2. Fellowship Application and Financial Aid Application (FAFSA) deadline for UCLA is March 2, 2. Applicants must complete the FAFSA by this date if they want to be eligible for all awards, work- study, and scholarships that UCLA offers. If applying after March 2, please check with the Financial Aid Office for available funding opportunities.
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